Stasis is quite an exceptional piece of film making. For a start there is a story – a real one and not just a situation in which an A-lister gurns through the motions until the unavoidable optimistic ending.
The movie has a definite vibe too, which is one of almost unrelieved sobriety throughout and when one likes one’s science fiction of a darker hue then this is the perfect antidote to the plethora of SciFi Lite with which we have to make do at the moment.
The plot is straightforward – at least on preliminary inspection. At some point in the near future a soldier is undergoing a series of virtual exercises in order to cure his Post Traumatatic Stress Disorder. Through the simulations he catches glimpses of a girl – one he feels he must have had some sort of serious relationship with.
Then a stranger appears in the facility in which he is being treated with a promise. Do what he says or the soldier will never see the girl again.
The film boasts an excellent and enigmatic cast. Reshad Strik is a revelation in the main role and Beau Bridges and Ernie Hudson bring different but balanced measures of menace to the screen. Although Rachel Specter’s role is somewhat limited she brings a lovely presence to an otherwise bleak cinematography.
The movie for me brought to mind Children of Men in parts because the future is painted in a realistic manner. It is different enough to feel somewhat foreign but familiar enough to resonate and be recognisable.
If you are naturally a page flicker when online, as I am, then you may have to persevere with the first few minutes – but be assured that your patience will be richly rewarded. Hats off to director Christian Swegal and everyone else involved in this awesome piece of dystopic film making.
STASIS from Christian Swegal on Vimeo.
